Stage-Set for an Abandoned Landscape
2006
Oil and paper on aluminium mounted on
wooden structures, 3 parts
Dimensions variable
Painting has been transformed into a makeshift scenery as an attempt at dealing with the loss
of an approach based on the subject’s stabile relation to form and space,
namely modernity. Apparently originating from a mourning modernist,
the work deals with questions of authenticity, depth and authorship.
Although evidently critical to its own approach, the work still contains
certain poetic and aesthetic intentions beyond the apparent, residing between
the lines.